We now sell Sony MiniDV tapes, check our products page for details.

                          ****    PRESERVE YOUR PRECIOUS VIDEOS ON GOLD ARCHIVAL DVDs NOW, BEFORE YOUR VIDEOS BECOME UNVIEWABLE.  GOLD DVDs ARE RATED TO LAST 100 YEARS!!!  Check our film transfer & video transfer pages for details.   ****

 

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8mm, Super8, and 16mm Movie Film Transfer to DVD & Video

We provide the highest quality transfer of 8mm and 16mm home movie film to DVD and video available. Your films are handled with the utmost care.  Sunray Video Productions is the ONLY home movie film transfer service that combines "film to video synchronization" for reduced flicker, 3 chip digital video camera element featuring 1/2 inch CCD's with 800 lines of resolution, and a true digital video master tape.

 

Sunray has transferred over 1.7 million feet of film   to DVD and video !

As seen on TV

 

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Frequently Asked Questions    |    Pricing Info & Order form

 

Sunray was featured on for NBC 7/39's story on DVD transfers. (View clip of Story)

 

 

We recommend a backup DVD copy

We know how easily discs can be scratched and damaged, sometimes just by accidently dropping them on the floor.  So we recommend getting a 2nd set of DVDs that can be stored away in a safe place.  If any of your discs should become damaged beyond the ability to be played, you'll be able to make another copy for a fraction of the cost of having your videos transferred all over again, assuming you still have them.

FILM TRANSFER SPECIALS -

Film to DVD transfer special Level 1:  Transfer 1,000 feet or more of your 8mm, Super8, or 16mm film to DVD now and save $ .01/foot on your order.  Minimum transfer order of 1,000 feet required.  Pay only $ .17/ft of film (regular price $ .18/ft) on film transfer over 1,000 feet.  Offer expires May 16, 2008.  Transfer order must exceed 1,000 feet of film to qualify for this offer.  May not be combined with any other offer.  Mention website special to receive discount.  Offer does not apply to previous orders.

Film to DVD transfer special Level 2:  Transfer 3,000 feet or more of your 8mm, Super8, or 16mm film to DVD now and save $ .02/foot on your order.  Minimum transfer order of 3,000 feet required.  Pay only $ .16/ft of film (regular price $ .18/ft) on film transfer over 3,000 feet.  Offer expires May 16, 2008.  Transfer order must exceed 3,000 feet of film to qualify for this offer.  May not be combined with any other offer.  Mention website special to receive discount.  Offer does not apply to previous orders.

Film to DVD transfer special Level 3:  Transfer 5,000 feet or more of your 8mm, Super8, or 16mm film to DVD now and save $ .03/foot on your order.  Minimum transfer order of 5,000 feet required.  Pay only $ .15/ft of film (regular price $ .18/ft) on film transfer over 5,000 feet.  Offer expires May 16, 2008.  Transfer order must exceed 5,000 feet of film to qualify for this offer.  May not be combined with any other offer.  Mention website special to receive discount.  Offer does not apply to previous orders.

BONUS OFFER! - Place your order before May 15, 2008 and receive an extra DVD copy of your transfer FREE!

Preserving Special Memories

    I remember, when I was growing up, our family had several reels of 8mm movie film I used to thread through our projector and watch.  There were many special memories including Christmas time in the house I grew up in.  My poor Dad, he received so many "ugly" ties but, he always smiled anyway.  Then there were the various vacations they took, going to Yellowstone, Flintstone Village, and numerous camping and fishing trips.  Since, I was the youngest, there weren't as many films with me in them but they were still fun to watch.

    A few years ago, I came up with this wonderful idea.  Wouldn't it be great to transfer those precious memories to DVD and give them to each member of my family as a Christmas present?  I'm sure they haven't watched any of those films in probably over 20 years.  You would think that after transferring hundreds of thousands of feet of other people's 8mm and 16mm films, over the last 10 years, that I would have wanted to do this sooner.  Well, the truth is I was waiting for the right time when I could achieve the best possible quality of transfer and be able to archive them onto a digital medium.  Our company has been offering the digital master concept for over 7 years but, it was only a few years ago that I was able to find the best method for transferring my films to video.  I'm also happy that I'll be able to preserve those special moments on DVD for my family's future generations to be able to enjoy as well.  I'm very pleased to be able to offer this quality of transfer to our valued customers.  

    While I was transferring my family heirlooms, I discovered how badly the film had deteriorated.  I didn't remember them looking that way.  I must admit, I was very pleased with how they turned out.  Some of them came out better than they looked on the actual film.  Some of the objects in the film that used to be white, had turned yellow.  But after transferring them to video, they became white again.  I didn't realize that transferring some of them would actually make the picture look better than it was on the film.  Unfortunately, most of the footage could not be improved, but it was nice that some of it turned out great.  My family was ecstatic to receive the DVDs.  It may have been the best gift I've ever given them.

San Diego wildfires take their toll

    If you followed the news in late October you might be aware that hundreds of thousands of San Diego and southern California residents were evacuated from their homes due to the threat of wildfires.  These same wildfires destroyed thousands of homes and these survivors lost most of their possessions.  The most common repeated theme had to do with preserving their precious photos, films, and videos.  Some were thankful that they were able to retrieve these items before they had to evacuate while others were not so fortunate.

    Having been so close to both of the major wildfires that occurred in the San Diego area over the past 4 years, the importance of preserving these memories has become a significantly higher priority in our lives.  This is the reason that Sunray Video has dramatically increased our efforts to help others preserve and protect their precious memories.  Several years ago we introduced the concept of creating a digital master tape for archiving films.  The digital videotape master could be stored in a safe place in or away from people's homes (like a safe-deposit box, for example) in the event something should happen to their DVDs or videotapes, like a house fire.

    We have just introduced another method for preserving films and videotapes that we call Gold Archival DVDs.  They are rated to last at least 100 years. For more information about the Gold Archival DVDs, see the Gold Archival DVD section below. 

Time is running out for transferring 8mm home movies to DVD or video.

    There are two major factors we are up against in the effort to convert 8mm and Super8mm films to DVD or video.  The first is the film itself.  As film ages, it continues to fade and become brittle.  The picture quality will get worse the longer you wait to transfer them, assuming the film remains in tact.  One of the easiest early warning signs to notice that your film is going bad is when it starts to emit a vinegar-like smell.  Also look to see if the film has begun to warp or shrivel up.  If you notice any of these conditions, it could be too late.  If you're not sure of the condition of the film, bring it in and we'd be happy to take a look at it for you.

Old 8mm film is turning into dust and projectors that still work are becoming scarce.

    The second factor is that manufacturers quit making 8mm and Super8 projectors over 20 years ago.  Several years ago, they discontinued manufacturing the parts to repair most projectors.  As each projector breaks down and cannot be fixed, that's one less projector available for performing film to video transfers.  Look around you, how many people do you know have a projector in working condition?  In the not-too-distant future, it may become impossible to ever view these films again, let alone attempt to transfer them to video.  With the quality of today's digital technology, now is the best time to for transferring film to DVD!

  Sunray has developed a system for the transfer of 8mm and Super 8 film to video and DVD that is unequaled anywhere!

 

There are Different Methods for Transferring Film to DVD and Video

  Currently, there are many different methods available for transferring 8mm and 16mm film to video.  How do you decide which one to choose?  Let's look at each one of them.  Before we can begin, there's something you need to know.  Regardless of which method is used, there are two processes that have to take place to make the transfer happen.  First, a light has to pass through the film in order to illuminate the film and project the visual image.  Second, this visual image needs to go through a photo-reactive computer chip (often referred to as a CCD chip), just like what you'll find behind the lens of a video camera, to be converted into electronic "video" information.  All of the methods I'm about to discuss share this basic transfer process.  What makes them different is how this process is performed.  Film to video frame rate synchronization and the quality of the CCD chip can improve the picture quality tremendously.

Film to video synchronization

  Synchronizing the frame rates of video and film are also important to getting a good transfer.  Commonly, after film is transferred to video, the image from the video will cause the TV picture to "flicker".  This is due to the fact that most 8mm and Super 8 film was exposed at a rate of 16 or 18 frames per second and video records at 29.97 frames per second.  16mm film was typically shot at 18 or 24 frames per second.  "Frames per second" refers to how many times the camera's shutter opens (to "take a photo") and closes in one second.  Since, the frame rate of the film doesn't match the frame rate of video, it creates what we call "flicker".  To reduce this "flicker", the speed of the projector has to be changed to allow the frames of the film to "match up" with the frames of the video.  Usually, this adjustment in speed is practically unnoticeable.  The result is a smooth, easy-to-watch video. 

Improving the picture through better CCDs

  The picture quality of television is often represented by the quantity of horizontal lines (drawn across your TV screen) that make up the picture.  To give you an idea of some differences in picture quality, let's compare some common video sources.   A standard VHS videotape, that you've used in the past, contains 240 lines of picture resolution.  DVDs may contain from 500-700 lines of picture resolution.  CCD chips contained in professional video cameras are capable of 400-1,080 lines of resolution.  The more resolution the CCD chips have, the sharper the picture quality.  Video cameras that use 3 CCD chips produce a better quality picture than cameras that use 1.

Projecting films onto a screen

  One of the first methods used to transfer 8mm and 16mm film was to simply aim a film projector at a screen and then aim a video camera at the same part of the screen.  Sounds simple.  There are several reasons why this method is not very good.  1) You need to be in a completely dark room.  Otherwise, any ambient light in the room will wash out the screen and you'll lose contrast in the picture.  2) Most consumer cameras do not have the ability to match up the frame rates of film to video. (See Film to Video Synchronization above.)  3) Most consumer cameras only contain one CCD chip. (See above)  4) It's difficult to get the projected film image to line up exactly with the video camera.  5) If you don't use a high quality screen, the image will look bad and you may start to see the texture of the screen in your picture.  Shooting off the wall is even worse.

Using a film transfer box

  Various retail stores have sold a plastic box referred to as a film transfer box where you aim a film projector into one side of the box and the video camera points into another side of the same box.  Inside the box there's a mirror to reflect the projected image into the video camera's lens.  I've experimented with this method and I can tell you the results were horrifying.  You also encounter many of the same problems discussed in the previous section "shooting off a screen", including the limitations of the video camera.

Telecine machines

  Over 20 years ago, a company by the name of Elmo began manufacturing a device often referred to as a Telecine projector.  It looks very much like a regular film projector but, instead of projecting the image through a lens, it would project the film image directly into a video CCD chip contained inside of the projector directly in front of the film where the lens would normally be located.  Then a vcr could be connect to the Telecine machine to record the video information received from the CCD chip.  The main drawback of this method is that it uses old, out-dated technology.  The CCD chips were made 20 years ago and only contained about 240-270 lines of picture resolution.  Over the past 20 years, the technological improvements in CCD chips far surpass the chips produced so many years ago.  Look at how much consumer camcorders have improved in just the last 10 years.  Many film transfer companies are still using these Elmo Telecine transfer machines for their transfers even today.

Frame by frame

  There are a few companies touting that the frame by frame method is the best.  This is just not true.  This method uses a process similar to that of the Telecine machine except that the film has to stop running through the projector long enough for each frame to be projected one-at-a-time into a camera and "photographed" much like taking pictures with a still camera.  There is a risk that the projector bulb could burn the film if it's left on the frame too long.  Most of the cameras used in these systems have one low-resolution CCD chip containing usually no more than 450 lines of picture resolution.

Consumer ALERT:  Some companies are offering "frame by frame" transfers and claiming that this process offers the best quality for transferring film.  Keep in mind that a camera or camera CCD still has to be used to convert the film image to a video format.  The resolution quality of this CCD will be the final determining factor as to the quality of the transfer.  Sunray is one of the VERY FEW companies using a $10,000.00, 800-line, 3 CCD video unit.

Sunray's method

  Using high-contrast imaging, we directly project the film image into our $10,000 high-resolution 3 CCD chip video capture device.  With our unique process, we're able to transfer more of each frame of film than most of our competitors.  The video information is then recorded onto a high-quality, professional digital master tape.  Our method is the only process that combines "film to video synchronization" for reduced flicker, 3 chip digital video camera element featuring 1/2 inch CCD's with 800 lines of resolution, and a true digital video master tape.  Our 3 CCD video capture device offers the highest resolution of any video capture unit being used for film transfers anywhere.  This ensures the finest picture quality during the transfer process.

To view a sample of a transfer of regular 8mm film, click here or on the image directly below.

 

(Viewable with Windows Media Player)

Beware of phony digital transfer claims

  Many companies are stating that they transfer to digital.  Be VERY careful here.  What most companies are doing is first transferring the film to a VHS tape and THEN putting it on a digital tape (i.e. miniDV) or DVD.  By this method, you are only getting an image quality of 240 lines of resolution, even though they're putting it on DVD or other digital format.  When we perform a digital transfer, we send the image from the film DIRECTLY to the high-resolution digital videotape master (DVCAM, MiniDV, or Digital8), maintaining the higher resolution of 500+ lines.  Then, if we produce a DVD, it will maintain the high resolution we originally obtained.

 

Digital Videotape Masters

  What is a videotape master?  Let's use an analogy using photographs.  When you take photos using a film camera, you have to take the film to a processing lab to be developed.  When you receive your pictures back, the lab also includes the "negatives" that were used to make the photos.  If you decide to get extra copies of a particular photo, you would take the negative back to the lab and they will make another print.  Prints taken from the negative are usually better quality than if you try to make a copy from the print.  A videotape master works similarly to the "negative" in that it provides the highest quality source to make a copy from.  (The digital master is put onto an industrial digital videotape that you probably won't be able to play.  (If you have a miniDV or Digital 8 camcorder and you specify that you want a miniDV or Digital 8 master, then you will be able to play it in your camcorder.)

  Sunray was the first company to begin offering digital videotapes for film transfer masters.  The greatest benefits of these digital masters are:

  1. Should a new format come along to replace DVDs, all you will need is your master to have your movies put onto the latest video format.
  2. Anytime you make a copy from the master, there won't be any quality lost as a result of the "copy of a copy" syndrome.  (Just make a copy of a fax message and you'll see what we're talking about.)
  3. When you vcr gets "hungry" and decides to "snack" on your precious videotape, the master tape can be used to make another VHS copy for a fraction of what it would cost you to have your movies re-transferred.
  4. DVD's produced from the digital master will have a picture quality with more than double the horizontal resolution (see above) of DVD's made from VHS copies.
  5. Whenever you need an extra copy, just bring in the master.  You won't need to bring the films back in.

  Digital masters are on a professional digital videotape format, DVCAM, and not on a DVD.  You have the option of putting your digital master on MiniDV or Digital 8 tapes if you prefer.

 

Gold Archival DVDs

  Sunray now offers the Archival Gold DVDs for preserving your films even longer than before.  There have been numerous reports of DVDs that started coming apart after just 3 years.  Many are blaming the poor quality materials used to produce the discs.

The innovative materials and manufacturing methods used to produce Archival Gold DVD-R's make them among the most reliable storage media available. Other DVD-R's may deteriorate quickly due to common environmental factors: ultraviolet light, heat, and humidity. Using N.I.S.T.'s (National Institute of Standards and Technology) accelerated aging process to test the longevity of DVD-R media, the Archival Gold DVD-R has been shown to safely store your images for more than 100 years.

A key component of the Archival Gold DVD-R's durability is the use of gold as the reflective layer of the disc. Gold is one of the most inert, reflective (and expensive) elements on earth, which makes it perfect to resist the effects of temperature and humidity. These characteristics prevent oxidation, a common cause of failure to most DVD-R's. 

Thirty percent of the cost to produce every Archival Gold disc is due to the use of 24 karat gold.  As gold increases in value, so does your DVD!  But so will the cost of getting this type of master, so order yours today.

 

Super8 film with sound

  Near the end of the 8mm and Super8mm movie era, a new format was developed referred to as Super8 WITH sound.  Much like the movies shown in theatres, these films contained a soundtrack on the edge of the film.  We do have the ability to transfer this format with the sound, however, since we are recording the sound at the same time as the picture, we're not able to adjust the speed of the film to reduce the flicker.  There is no extra charge for transferring film with sound.

 

How much does it cost and how do I order?

  Our film transfer process is only $ .18 per foot of film.  That includes the digital master tape and a FREE DVD copy!*  Add $10 per 2 hour tape for VHS copies.  Sunray's new 100 year Gold Archival DVDs are now available for $15 for up to 1 hour of video and $25 for up to 2 hours of video.

If you're in the San Diego area, you may bring your films into our office.  For our office hours or to get directions to our office go to our contact page.  If you're outside the San Diego area, go to our order form page, print out the form, fill it in and simply send it along with your films to our address on the form.  It's that simple!

We back our work with a 30 day satisfaction guarantee!  

Currently, our turn-around time is 5-7 business days for 8mm film and 10-12 business days for 16mm film.

 

 

For more information about film transfers, check out our FAQ page.

If you want to ship your movies to us, proceed to our ordering instructions page and download the order form.

 

The Sunray Advantage

bulletFlicker-free transfers - Reduced "flicker" transfer with natural color and the highest resolution available.
bulletHighest resolution transfer - Featuring 800 lines of video resolution to maximize image quality.
bulletDigital Master Tapes of your movies - One of the only transfer services that give you a high-resolution digital tape master of your films.
bullet One FREE DVD copy included with our digital masters at no additional cost.
bulletYour movies on DVD

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